It is the time of year to lounge on the sofa and devour a packet of mince pies in front of a good movie, a bad movie, or one that’s terrible yet terrific.
Once again, a crop of new holiday movies hopes to be part of our seasonal watchlist—perhaps even finding a spot alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a noble effort to separate the winners from the losers, and to get into the Christmas spirit, I marathoned as many recent Christmas films as possible in a single day.
Beginning, ideally, on a high. This film is the sole 2025 title on a popular review site's list of the top 100 holiday films of all time.
The musical trio end up trapped in the UK after finishing their global concert series and must return for Christmas. Their endeavors are hampered by an evil Santa, who sings to state they won’t get home until they “rekindle their sibling bond.”
The banter between the arguing trio is enjoyable even for the non-fan, while fans will certainly catch lots of in-jokes as they attempt to get back using any means of transport necessary.
It’s a travelogue of mishaps.
It’s not a timeless masterpiece, but is excellent for fans and a good start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.
Hollywood star Kiefer Sutherland appears as a movie actor roped into a "panto".
“A panto-what?” asks Sutherland’s “difficult” and older star Brad Mack, who has hit a rough patch and whose representative has tricked him into thinking he’s starring in renowned British drama.
His pantomime co-stars tell him he’s playing Buttons. “Absolutely not,” he insists angrily. You can guess their reply. Except if you’re unfamiliar with traditional stage call-and-response.
There are some hilarious moments, some touching sub-plots, and the supporting actors is excellent, too.
It’s the type of film that would be a bit cheesy at a different time, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
A familiar face pops up at the start of this film, too, delivering a signature line for the next movie straight. Is this a budding festive ritual?
This time, he’s a musical taxi operator who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative develops as the stingy Mr Sood is visited by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least distinct from all the others, but sadly he’s not very captivating and Nayyar’s performance is wooden—a major flaw when he’s so the focal point.
Festive score: 🎄🎄
Before lunch for a major broadcaster's original festive film—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he gets an large festive windfall at work, his wife (played by Morgana Robinson) convinces him blowing the money on a holiday to Lapland.
There’s just one problem—he finds out there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the remainder.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the decorations and snow are in the background—Christmas is the setting of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (played by Minka Kelly) is sent to a French chateau to secure an acquisition for a sparkling wine company. On the way, she encounters a guy in a bookshop who offers to show her a festive Paris.
A critic recently stated this is the finest new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a Christmas romance with a hint of sophistication and gives the necessary warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is particularly strong too.
Christmas tree rating: 🎄🎄🎄
Young Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the persuasion of his dad (played by James Buckley) to tell him the reality.
The truth is to be discovered, and Chris embarks on a quest to find it with the assistance of a group of well-known experts and celebrities.
It’s gentle but charming, and ideal viewing while expecting Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a dysfunctional American family who reunite for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s what this is, but in execution it’s really a jumble of those inspirations, at least until Pfeiffer’s character eventually takes center stage.
Festive score: 🎄🎄
The day’s waned in quality, but happily here’s a new addition in the crowded field of predictable, sentimental, cheesy—and strangely compelling—festive fodder.
It’s a narrative as old as time: An American woman travels to a far-off wintery locale and ends up finding romance.
In this case, Caprice Bourret plays a publisher
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